Gregorio Vardánega was one of the emerging artists in Argentine art in the 1940s, as a member of the Asociación Arte Concreto Invención. He identified it with an operative line marked by the rigor of conception and the quality of praxis.
He considered the sphere, the circle, the oval, the spiral, connected to cosmic movements. His interest in the perspectival displacement of the spectator, added to those of the multiplication of space by the superimposition of transparent plates, led him to move from illusory movement to real movement. Thus, he created complex assemblies in chromed steel and Plexiglas, moved by electronic circuits that, in turn, triggered luminous effects.
Vardánega considered transparent color, space-color, sound light, refraction and reflection of light, as well as its transmission through solid, liquid and gaseous products to be elements of inexhaustible richness for aesthetic research. He knew how to use natural movement as well as random and programmed movement.
He has created large-scale chromokinetic structures, not only because of their size but also because of the complexity of the technical and visual resources brought into play.