Evelyn Politzer
Bio
Evelyn Politzer, originaria de Montevideo, Uruguay, ahora vive y trabaja en Miami, Florida. Después de asistir a la Facultad de Derecho en Montevideo y mudarse a los Estados Unidos, persiguió su pasión por el arte. Evelyn recibió en 2020 el Premio Ellies Creator de Oolite Arts Organisation y candidata a MFA en Artes Visuales en 2021 de la Universidad Internacional de Arte y Diseño de Miami.
Politzer es un artista de la fibra que se comunica a través de hilos, hilos y telas para crear una amplia gama de piezas, desde pequeños tapices en 2D hasta formas escultóricas monumentales. A través de técnicas tradicionales como el tejido, el ganchillo y el bordado, crea objetos que no son convencionales y buscan generar una conversación sobre temas como el lugar, la feminidad y la fragilidad del entorno natural.
Statement
This body of work began in January of 2021, while researching for my MFA thesis “Artists and their Materials: A Playdate with Tactility in Contemporary Fiber Art.” While most conversations centered around the hardships stemming from COVID, I wanted to enjoy the passing of time through my sense of touch, mainly working with soft, natural fibers, engaging in playful exploration and simply letting the materials guide me through the art making process.
Each piece in my series for the Ciconia Art Collection is a printed detail shot of my large-scale fiber art, which is then intervened upon with thread, hand embroidered one by one. In the three irregular and abstract panels that the image originates from, creativity was let loose without any set expectations. Simply allowing a playdate with colors, materials, movement, shapes, and textures to happen, letting all of these elements move together until the materials had fully expressed their natural direction. The openness of the color scheme is a sign of freedom and liberation in the art making process. The natural yarn is hand-dyed wool, integral not only to my work but to daily life in my native country of Uruguay. While the materials are sourced from leftovers of previous projects, they are given a second life rather than being discarded, a waste I could not bear. Though time-consuming, I am amazed with the limitless possibilities for abstraction with this technique, painting with yarn.
